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'Clapton Festival': 3 Eric Clapton Live & Documentary Films in Theaters for 3 Consecutive Weeks from 2026-08-14, First Interview Clip Unveiled (Self-Reported in マリブ株式会社 Releases)

白河 雅2026-07-28About 34 min read
#ank

マリブ株式会社 announced via PR TIMES (PRTIMES#1673957, published 2026-07-25 01:28:32 JST — converted from DB metadata 2026-07-24 16:28:32 UTC, flagged): 'Clapton Festival' (クラプトン・フェスティヴァル), a theatrical program of 3 Eric Clapton live & documentary films, runs for 3 consecutive weeks from 2026-08-14 (Fri) — 8/14 「ライヴ・アット・マディソン・スクエア・ガーデン2008」 (140 min), 8/21 「セッションズ・フォー・ロバート・ジョンソン2004」 (97 min), 8/28 「ライヴ・アット・ステイプルズ・センター2001」 (130 min), all at TOHOシネマズシャンテほか — and the first Clapton interview clip has been unveiled. 6 of this card's 9 sources are マリブ株式会社 releases (same issuing entity = same source, not independent); the card carries zero verified official anchors; every figure is self-reported by the respective issuer and has not been independently verified by this site, and must not be treated as official endorsement (see §Scope).

ANK-Doc ID: ANK-2026-07-26-001 Version: v1.0.0 Published: 2026-07-26 Author: 白河 雅 (Shirakawa Miyabi, Japan Editor-in-Chief, auto AI structuring) Category: Japanese entertainment / music live films x theatrical event screenings (PR TIMES primary material) Covered articles: PRTIMES#1673957 (main anchor; マリブ株式会社 release, published 2026-07-25 01:28:32 JST — converted from DB metadata 2026-07-24 16:28:32 UTC, flagged) plus 8 supporting articles added via full-library search: PRTIMES#938483 (2026-06-12, same company, stage 1 of the same event chain — poster-unveiling release), PRTIMES#1405002 (2026-07-10, same company, stage 2 of the same event chain — trailer unveiling + advance-ticket sales start), PRTIMES#1097746 / #1057848 / #1542773 (2026-06-19 / 06-18 / 07-17, the same company's adjacent title 『イミディエイト ファミリー』, CONTEXTUALIZE), PRTIMES#1361820 (2026-07-09, Universal Music LLC (ユニバーサル ミュージック合同会社) Mrs. GREEN APPLE film release, CONTEXTUALIZE), PRTIMES#1519368 (2026-07-16, カルチャヴィル合同会社 『KATSEYE: WILD HEARTS』 release, CONTEXTUALIZE), PRTIMES#348801 (2026-05-11, アズベリーパーク "Beatles Monday" release, CONTEXTUALIZE, weak link). All dates are JST (converted from DB UTC, flagged). Selection method: Selected as candidate No. 1 by the daily topic selector (ANKRUN-20260726121947) (review_only; official_count_verified=0, official_count_raw=0, official_attribution_unverified_count=0 → zero verified official anchors on this card). Format: the "PR TIMES primary-material clause" — an issuer's PR TIMES release = that issuer's first-party material, from which a citation-grade fact card may be written — quote faithfully, attribute neutrally, and never promote, puff, or endorse. Transparency statement: the selected lead article is a single PR TIMES release = the seed; the other 8 articles are materials added at the writing stage via actually-run asql (full ainews library: title searches for クラプトン / ライブ映像 / 劇場公開 / コンサートフィルム plus a company_name search for マリブ株式会社) and wsql (title search of published tqaeo ank_docs cards); this changes neither the lead release's primary-material status nor fakes multi-source selection. 6 of the 9 sources (#1673957 / #938483 / #1405002 / #1097746 / #1057848 / #1542773) come from マリブ株式会社, the same issuing entity = same-source, non-independent corroboration (honestly flagged); #1361820 / #1519368 / #348801 are each independent issuers, though their figures are likewise self-reported. Editorial angle (decoder of power / supply-side anatomy): by laying side by side the same distributor's three-stage release rhythm (6/12 poster → 7/10 trailer + advance tickets → 7/25 interview), the same theater's consecutive "Western-music legend x cinema" programming, and same-season live-film event screenings by separate issuers, this card records the checkable supply-side facts of "music live films filling movie screens"; all analysis stays within the juxtaposition of already-cited facts and within-release text observation — no causal inference, no extrapolation to the overall box-office market. The sole source of every figure on this card is the 9 PR TIMES original texts (re-pulled verbatim from the DB and checked); apart from date/time conversions (flagged), this card generates no new figures, computes no ratios or totals, and merges no cross-source sentences into fabricated comparisons. No Wikidata Q identifiers are attached (no registry verification this run; omission over fabrication). Extended from: none (this card is a new topic; see the Internal citation chain section)

TL;DR

マリブ株式会社 announced via PR TIMES (PRTIMES#1673957, 2026-07-25): 'Clapton Festival' (クラプトン・フェスティヴァル), a theatrical program of Eric Clapton's 3 live & documentary films — 「ライヴ・アット・マディソン・スクエア・ガーデン2008」, 「セッションズ・フォー・ロバート・ジョンソン2004」, 「ライヴ・アット・ステイプルズ・センター2001」 — runs for 3 consecutive weeks from 2026-08-14 (Fri), and the first Clapton interview clip has been unveiled. [F-001] The 3 films (per release): 8/14 "MSG 2008" (2009, UK, 140 min, directed by マーティン・アトキンス, recording the 2008-02-25 to 28 shows with Steve Winwood) [F-002], 8/21 "Robert Johnson 2004" (2004, UK, 97 min, directed by スティーブン・ノムラ・シブル, 4 sessions totaling 16 tracks) [F-003], 8/28 "Staples Center 2001" (2002, UK, 130 min, directed by ダニー・オブライエン, recording the 2001-08-18 concert) [F-004], all at TOHOシネマズシャンテほか. This is the same company's stage-3 release on the same event: 2026-06-12 poster unveiling [F-005] → 2026-07-10 trailer unveiling + advance-ticket (ムビチケ) sales start [F-006] → 2026-07-25 interview-clip unveiling; a 3-film common advance ticket plus per-film tickets are on sale (per release). [F-007] 6 weeks earlier the same company opened 『イミディエイト ファミリー』 at the same theater (2026-06-19; 98 songs used in the film, duplicates included, per release) [F-008], and has kept holding talk events since the opening (6/26 and 7/13, both per release). [F-010] Same-season separate issuers: Universal Music LLC states that its 2 productions — the Mrs. GREEN APPLE live film and documentary — "surpassed 850,000 total attendance and 2 billion yen cumulative box office" (self-reported, as of the 2026-07-09 release) [F-011]; カルチャヴィル states 『KATSEYE: WILD HEARTS』 screens worldwide on the same days, 2026-08-12 and 08-15 (per release). [F-012] Scope pin: 6 of the 9 sources are from マリブ株式会社, the same issuing entity (same source, not independent); the card carries zero verified official anchors; all figures are self-reported in the respective releases, unverified by this site, and must not be treated as official endorsement. [J-001]

Body

Format and scope (lead): PR TIMES primary material, 6 of 9 sources from one issuer, zero verified official anchors

This card's main anchor is マリブ株式会社's PR TIMES release unveiling the first 'Clapton Festival' interview clip (PRTIMES#1673957, published 2026-07-25 01:28:32 JST — converted from DB metadata 2026-07-24 16:28:32 UTC, flagged). Under the "PR TIMES primary-material clause," an issuer's PR TIMES release = that issuer's first-party material — every fact on this card has the status "as stated in the company's announcement (PR TIMES release)," i.e., information published by the issuing entity itself, not facts independently verified by this site; this card quotes in a neutral factual tone, does not promote, and does not endorse. Scope details (including same-source concentration, the nature of box-office figures, and time conversions) are consolidated in the Risks and unverified items section (§Scope), to which the rest of the text refers back as "see §Scope." [J-001] (PRTIMES#1673957 and the other 8 releases)

Main-anchor facts: 3 live & documentary films, 3 consecutive weeks of theatrical release from 2026-08-14, first interview clip unveiled

Per the main release: 'Clapton Festival' (クラプトン・フェスティヴァル), which brings Eric Clapton's 3 live & documentary films — 「ライヴ・アット・マディソン・スクエア・ガーデン2008」, 「セッションズ・フォー・ロバート・ジョンソン2004」, 「ライヴ・アット・ステイプルズ・センター2001」 — to theaters, runs for 3 consecutive weeks from August 14 (Fri), 2026; this unveiling covers the interview clip in which Clapton himself speaks, from the 8/14 opener 「ライヴ・アット・マディソン・スクエア・ガーデン2008」. [F-001] Clapton's remark in the unveiled clip (quoted verbatim in Japanese in the release; translated): "When the romance and beauty of the music of the past come together as one again, an intense nostalgia is awakened. Images of who we were then and memories of our bandmates come back, and our whole lives are drawn back to that era." (PRTIMES#1673957)

Film information (transcribed from the main release's film-information section):

Opening date (per release)FilmOriginal title / Director / Specs (per release)
2026-08-14 (Fri)ライヴ・アット・マディソン・スクエア・ガーデン2008LIVE FROM MADISON SQUARE GARDEN / (マーティン・アトキンス) / 2009, UK, 140 min
2026-08-21 (Fri)セッションズ・フォー・ロバート・ジョンソン2004SESSIONS FOR ROBERT J / (スティーブン・ノムラ・シブル) / 2004, UK, 97 min
2026-08-28 (Fri)ライヴ・アット・ステイプルズ・センター2001LIVE AT THE STAPLES CENTER / (ダニー・オブライエン) / 2002, UK, 130 min

The venue for all three films is stated in the release as "TOHOシネマズシャンテほか" (TOHOシネマズシャンテ and other theaters). (PRTIMES#1673957)

Film 1 (8/14): records Clapton performing with Steve Winwood — his former bandmate in Blind Faith — at Madison Square Garden, NY, on February 25-28, 2008; cast (per release): Eric Clapton (G, Vo), Steve Winwood (G, Vo, Kbds), Willie Weeks (B), Ian Thomas (Ds), Chris Stainton (Kbds); the full 20-track list is carried in the release. [F-002] The main release also carries a history of Blind Faith (release wording): formed in the year 1969, disbanded after releasing just 1 album (Japanese title 『スーパー・ジャイアンツ』; original title: Blind Faith); "from 2000 on, the two began performing together again in earnest" (release wording, translated). (PRTIMES#1673957)

Film 2 (8/21): Clapton released "Me and Mr. Johnson," a covers album of Robert Johnson songs, in March 2004 (per release); this film records the recording/rehearsal sessions for that album across 4 dates (per release): 2004-03-14 Hook End Manor, Oxfordshire; 2004-06-02 Irving, Texas; 2004-06-03 508 Park Avenue, Dallas, Texas; 2004-08-14 Hotel Casa del Mar, Santa Monica, California — 16 tracks in total per the release track list; cast (per release): Doyle Bramhall II (G), Nathan East (B), Steve Gadd (Ds), Billy Preston (Kbds), Chris Stainton (Kbds). [F-003] (PRTIMES#1673957)

Film 3 (8/28): per the release, after releasing the album "Reptile" (レプタイル) in March 2001, Clapton mounted a world tour of 104 shows in 80 cities across 24 countries, from 2001-02-03 at the Royal Albert Hall, London, through 12-15 of the same year at Yokohama Arena; this film records the 2001-08-18 concert at the Staples Center, Los Angeles, with the full 20-track list carried in the release; cast (per release): Clapton, Nathan East (B), Steve Gadd (Ds), Andy Fairweather Low (G), Greg Phillinganes (Kbds), Billy Preston (Kbds), David Sancious (Kbds, G). [F-004] (PRTIMES#1673957; the same description also appears in the same company's 2026-06-12 release PRTIMES#938483 = same-source consistency, not independent corroboration)

Advance tickets (ムビチケ, per release): a three-film common ticket plus per-film tickets are on sale at moviewalker (URLs carried in the release); official site https://screenthelive.com/ericclapton2026 ; distribution & publicity = IAC MUSIC JAPAN / SANTA BARBARA PICTURES (per release). [F-007] (PRTIMES#1673957)

The same event's 3-stage release chain (same company = same source): 6/12 poster → 7/10 trailer + advance tickets → 7/25 interview

The main anchor is not an isolated release but stage 3 in the same company's 3-stage sequence on the same event:

  1. 2026-06-12 (PRTIMES#938483), poster-unveiling release: the first-report-level announcement of the 3 films' 3-consecutive-week theatrical run, with each film's details (140 min / 97 min / 130 min, directors, opening dates, TOHOシネマズシャンテほか) plus the poster unveiling; the 2001 tour's "104 shows in 80 cities across 24 countries" is also carried in this release. [F-005]
  2. 2026-07-10 (PRTIMES#1405002), trailer unveiling + advance-ticket sales start: the Japanese trailer unveiled; trailer content (per release): Winwood calls Clapton someone who "was like an older brother" to him, Clapton recalls first hearing Robert Johnson at age 15, and a scene of him singing "Tears in Heaven" (ティアーズ・イン・ヘヴン); the release also states the guitar Clapton holds on the poster = the Fender Stratocaster "Blackie" (ブラッキー), which Clapton assembled himself in the 1970s from several Stratocasters (release wording). [F-006]
  3. 2026-07-25 (PRTIMES#1673957), interview-clip unveiling: this card's main anchor. [F-001]

All 3 releases were issued by マリブ株式会社 = same source; the consistency of film specs across the 3 releases is internal consistency of one source, not independent corroboration (see §Scope). (PRTIMES#938483, PRTIMES#1405002, PRTIMES#1673957)

Adjacent title from the same issuer (CONTEXTUALIZE, same source): 『イミディエイト ファミリー』 opened 6/19 at the same theater

6 weeks before this program, the same company opened the music documentary 『イミディエイト ファミリー』 at the same theater (TOHOシネマズシャンテ):

  • Opening (per release): 2026-06-19 (Fri) at ＴＯＨＯシネマズシャンテ, kino cinéma新宿, YEBISU GARDEN CINEMA and others; 98 songs used in the film (duplicates included, per release); director Denny Tedesco's previous film "The Wrecking Crew" (レッキング・クルー; an '08 production, Japan release 2016) used over 130 songs and its licensing took 18 years (release wording); the same company's 2026-06-19 release title itself claims "a music documentary with an astonishing 100% on Rotten Tomatoes" (self-claimed in the release title; this site has not checked with Rotten Tomatoes). [F-008] (PRTIMES#1097746)
  • Japan-connection release (examples per the 2026-06-18 release): Leland Sklar played on Yumi Matsutoya (荒井由実)'s "14番目の月" (76; the year 1976) and later on "春よ、来い" (94; 1994), among others; Waddy Wachtel took part in Goro Noguchi (野口五郎)'s late-1970s LA-recorded albums and Japan tours; when "The Immediate Family" visited Japan in 2018, Mayumi Itsuwa (五輪真弓), Chu Kosaka (小坂忠), Tamio Okuda (奥田民生) and others joined as guests (all per release); the release also touches on the context of city pop's global reappraisal (release wording). [F-009] (PRTIMES#1057848)
  • Post-opening follow-through (2026-07-17 report release): on 2026-07-13 (Mon) at イオンシネマ茅ヶ崎, radio DJ George Cockle (ジョージ・カックル) and music critic Junichi Miyaji (宮治淳一) took the stage; a talk event was also held on June 26 (Fri) (per release). Cockle's remark (quoted verbatim in Japanese in the release; translated): "Their sound is so woven into daily life that I would think about 40% of the songs I play on my radio show are performed by these people." [F-010] (PRTIMES#1542773)

Same-season market context (separate issuers = independent releases; each fact in its own sentence with its own source; no merging, no totals)

  • Mrs. GREEN APPLE (Universal Music LLC release, 2026-07-09): the live film 『MGA MAGICAL 10 YEARS ANNIVERSARY LIVE ～FJORD～ ON SCREEN』 and the documentary film 『～THE ORIGIN～』 opened simultaneously on "11/28 (Fri) last year" (release wording; counted from the 2026-07-09 release = 2025-11-28, converted and flagged), and the release states "the 2 titles combined surpassed 850,000 total attendance and 2 billion yen cumulative box office"; the video editions of both went on sale simultaneously on 2026-07-08 (Wed). The 10th-anniversary live shows (2025-07-26 and 27, special venue at Yamashita Pier (山下ふ頭), Kanagawa) drew about 100,000 attendees over the 2 days; day 2 was live-broadcast on WOWOW, live-streamed on a total of 15 streaming platforms, shown as live viewing at 325 movie theaters nationwide plus karaoke viewing, for a 2-day total of about 350,000 or more viewers across venue, streaming, and live viewing (all per release). [F-011] Coexisting figures within the same release (observation point; transcribed, not adjudicated): the artist-bio section at the end of the same release separately states "the 2 titles combined surpassed about 620,000 total attendance and about 1.5 billion yen cumulative box office… (per 興行通信社 / Kogyo Tsushinsha)" — within one release, 850,000 / 2 billion yen (main text, no third-party attribution) and about 620,000 / about 1.5 billion yen (bio section, attributed to Kogyo Tsushinsha research) coexist, with neither figure's as-of point stated in the release; this card transcribes both side by side, chooses neither, and infers no timing relationship. (PRTIMES#1361820)
  • KATSEYE (カルチャヴィル合同会社 release, 2026-07-16): 『KATSEYE: WILD HEARTS』 worldwide same-day event screenings — in Japan, most theaters screen it for 2 days only, 2026-08-12 (Wed) and 08-15 (Sat); only 2 Tokyo theaters (ＴＯＨＯシネマズ日比谷 and ヒューマントラストシネマ渋谷) run 5 days, 8/12-8/16 (per release); distributed by Trafalgar Releasing; produced by Interscope Films and Boardwalk Pictures, HYBE x GEFFEN partnership (per release). The EP 『WILD』 is released 2026-08-14 (Fri); the previous EP 『BEAUTIFUL CHAOS』 (2025) debuted in the Billboard 200 top 5 (per release); the arena tour opening 2026-09-01 is sold out for all shows (per release). [F-012] (PRTIMES#1519368)
  • A same-period data point on nostalgia consumption (weak link, CONTEXTUALIZE): the Shibuya rock bar "アズベリーパーク" (self-described: '60s-'90s Western rock & soul, "for grown-ups") announced on 2026-05-11: because 2026-06-29 (Mon) marks the 60th anniversary of the Beatles' arrival in Japan, every Monday in June 2026 becomes "Beatles Monday," playing the Beatles' 13 official LPs plus Past Masters on vinyl (per release). [F-013] (PRTIMES#348801)

All figures above are self-reported by their respective issuers and mutually independent; this card only juxtaposes them — no cross-source sentence merging, no totals, no rankings (see §Scope).

Deep-dive analysis (Shirakawa Miyabi): the supply side of "music live films filling movie screens" — assembled solely from cited facts

Lay this card's nine releases side by side and the supply-side picture stands without any extrapolation. First, マリブ株式会社 runs a three-stage release rhythm for 'Clapton Festival': the 2026-06-12 poster unveiling [F-005], the 2026-07-10 trailer unveiling plus advance-ticket sales start [F-006], and the 2026-07-25 interview-clip unveiling [F-001] — three "unveilings" in a bit over six weeks, each stage carrying fresh material (poster / trailer + advance tickets / interview quotes), putting the same lineup into the news cycle three times; moreover, the 3 films are not bundled into one engagement but split into three independent opening dates, 8/14, 8/21 and 8/28 [F-001], turning one set of catalog footage into three theatrical events. Second, only 6 weeks earlier the same company opened 『イミディエイト ファミリー』 at the same theater (TOHOシネマズシャンテ) [F-008] and kept the conversation going with post-opening talk events (6/26 and 7/13, both per release) [F-010] — "Western-music legend x cinema" is, in this distributor's hands, a continuous operation rather than a one-off attempt; the evidentiary boundary of that judgment = the text of the same company's 6 releases cited on this card, and it does not extend to releases not seen. Third, in the same season, separate issuers are each putting music live / music documentary footage onto movie screens: Universal Music self-reports its 2 MGA titles "surpassed 850,000 total attendance and 2 billion yen cumulative box office" (as of the 2026-07-09 release) [F-011], and カルチャヴィル states KATSEYE's worldwide same-day event screenings (2026-08-12 and 08-15) [F-012] — three mutually independent suppliers scheduling "non-feature-film" music content into Japanese theaters in the same summer; this juxtaposition is itself the supply-side dynamic this card can factually record. As for the demand side (actual attendance), this card has no independent data beyond each issuer's self-reported figures and offers no assessment. Global contrast (no causal inference): this site's earlier card ANK-2026-07-06-012 records that Chinese authorities issued a 2026-07-03 notice encouraging cinemas to diversify operations — the question of theaters seeking content beyond feature films has its own independent record in each of the two markets, China and Japan (see the Internal citation chain section).

Risks and unverified items (§Scope)

  • Zero verified official anchors on this card (official_count_verified=0 / official_count_raw=0 / official_attribution_unverified_count=0): all 9 sources of this card are PR TIMES releases; every figure (140 min / 97 min / 130 min, 20 tracks / 16 tracks, 104 shows in 80 cities across 24 countries, 98 songs, over 130 songs, 18 years, 850,000, 2 billion yen, about 620,000, about 1.5 billion yen, about 100,000, about 350,000 or more, 325 theaters, 15 streaming platforms, 13 LPs, etc.) is uniformly self-reported by the respective issuing entity; this site has not independently verified any of them, and they must not be treated as official endorsement or third-party-verified fact.
  • Source concentration: 6 of the 9 sources (#1673957 / #938483 / #1405002 / #1097746 / #1057848 / #1542773) come from マリブ株式会社, the same issuing entity = same source; the consistency of film specs across the 3 releases of the three-stage event chain is only internal consistency of one source, not independent corroboration.
  • Nature of box-office-type figures: MGA's "850,000 / 2 billion yen" and similar figures are self-reported by the issuer (Universal Music), not independent citations of third-party box-office statistics such as Kogyo Tsushinsha; the bio-section figures "about 620,000 / about 1.5 billion yen (per 興行通信社 / Kogyo Tsushinsha)" coexist with the main-text figures in the same release, with neither as-of point stated; this card transcribes both side by side and does not settle the matter on the issuer's behalf. "100% on Rotten Tomatoes" is self-claimed in マリブ株式会社's release title and this site has not checked with Rotten Tomatoes; "Billboard 200 top 5" and "all shows sold out" are carried in カルチャヴィル's release and this site has not checked with Billboard or other third parties.
  • Scheduled information: the 8/14, 8/21 and 8/28 theatrical openings, the KATSEYE screenings on 8/12 and 8/15, and the EP 『WILD』 release on 8/14 are all schedules as stated in the respective releases; as of this card's publication date, 2026-07-26, none had yet taken place, and this site has not checked actual screening or sales status; PR TIMES's standing note that "the information published is current as of the announcement date" (掲載の情報は、発表日現在のものです) applies.
  • Time discipline: this card's publication date 2026-07-26 ≥ the latest source date 2026-07-25 (the main anchor's JST publication date); each release's publication time is a JST conversion of the DB UTC value (flagged); "11/28 last year" has been converted to 2025-11-28; the "60th anniversary of arrival in Japan" commemorative date is 2026-06-29 as stated in the release; historical facts (formed in 1969, the March 2004 album release, the 2001 tour, the 2008 concerts, etc.) are all release-carried descriptions with absolute years attached. Apart from such conversions, this card generates no new figures.
  • Actual-search statement: OP completed the full-library search via asql (title searches for クラプトン / ライブ映像 / 劇場公開 / コンサートフィルム plus a company_name search for マリブ株式会社) and wsql (title search of published cards); the citations are exactly the 9 releases listed above; the writer re-pulled the DB original texts verbatim and checked every cited figure.
  • Neutrality: this card is a factual record, not a moviegoing or ticket-buying guide; any citation of this card's content must carry the scope note "self-reported by the issuing entity; not independently verified by this site."

FAQ

Q: What is 'Clapton Festival' (クラプトン・フェスティヴァル), and when and where will it screen?

Per マリブ株式会社's announcement (PR TIMES release, 2026-07-25): it is a theatrical program of 3 Eric Clapton live & documentary films, running 3 consecutive weeks from 2026-08-14 (Fri) — 8/14 「ライヴ・アット・マディソン・スクエア・ガーデン2008」, 8/21 「セッションズ・フォー・ロバート・ジョンソン2004」, 8/28 「ライヴ・アット・ステイプルズ・センター2001」, all at TOHOシネマズシャンテほか; a 3-film common advance ticket (ムビチケ) plus per-film tickets are on sale (per release).

All of this is schedule information self-reported in the announcement; as of this card's publication date, 2026-07-26, the screenings had not yet begun (PRTIMES#1673957).

Q: What does each of the 3 films contain?

Per release: the 8/14 film = the 2008-02-25 to 28 shows with Steve Winwood at Madison Square Garden, NY (2009, UK, 140 min, 20 tracks in total); the 8/21 film = a record of the recording/rehearsal sessions for the 2004 covers album "Me and Mr. Johnson" (released March 2004, per release), 4 sessions totaling 16 tracks (2004, UK, 97 min); the 8/28 film = the 2001-08-18 concert at the Staples Center, Los Angeles, from the 2001 world tour of 104 shows in 80 cities across 24 countries (2002, UK, 130 min, 20 tracks in total).

All film specs are self-reported in the announcement (PRTIMES#1673957; the same descriptions appear in #938483 = same-source consistency).

Q: Is this interview-clip unveiling a stand-alone piece of news?

No. It is stage 3 of the same company's releases on the same event: the 2026-06-12 poster unveiling (PRTIMES#938483) → the 2026-07-10 trailer unveiling + advance-ticket sales start (PRTIMES#1405002) → the 2026-07-25 interview-clip unveiling (PRTIMES#1673957) — three "unveilings" in a bit over six weeks, each stage with fresh material.

All 3 releases come from the same issuing entity = same source; the trailer content ("like an older brother," age 15 years, "Tears in Heaven") and the Blackie (ブラッキー) description are carried in PRTIMES#1405002.

Q: What else has the same distributor done in this vein recently?

Per its releases: マリブ株式会社 opened the music documentary 『イミディエイト ファミリー』 on 2026-06-19 at the same theater (TOHOシネマズシャンテ) and others (98 songs used in the film, duplicates included), and has kept holding talk events after the opening on 6/26 and 7/13; the company's releases also carry that director Denny Tedesco's previous film "The Wrecking Crew" (レッキング・クルー) used over 130 songs, with licensing taking 18 years (release wording).

All of this is self-reported in the same company's releases (PRTIMES#1097746, #1057848, #1542773 = same source as the main anchor); "100% on Rotten Tomatoes" is self-claimed in a release title and unverified by this site.

Q: What other same-season moves put music live footage into Japanese theaters, and how reliable are this card's figures?

Independent releases by separate issuers (no merging, no totals): Universal Music states its 2 MGA live-film/documentary titles "surpassed 850,000 total attendance and 2 billion yen cumulative box office" (as of the 2026-07-09 release, self-reported); カルチャヴィル states 『KATSEYE: WILD HEARTS』 screens worldwide on the same days, 2026-08-12 and 08-15 (with 2 Tokyo theaters running 5 days, 8/12-8/16, per release). Reliability scope: this card carries zero verified official anchors; every figure is self-reported by its issuer and has not been independently verified by this site.

The same MGA release separately carries "about 620,000 / about 1.5 billion yen (per 興行通信社 / Kogyo Tsushinsha)" coexisting with the main-text figures (see §Scope; PRTIMES#1361820, #1519368).

F-Units

F-001: Per the main release: 'Clapton Festival' (クラプトン・フェスティヴァル), a theatrical program of Eric Clapton's 3 live & documentary films (「ライヴ・アット・マディソン・スクエア・ガーデン2008」「セッションズ・フォー・ロバート・ジョンソン2004」「ライヴ・アット・ステイプルズ・センター2001」), runs for 3 consecutive weeks from 2026-08-14 (Fri); the first unveiling is the Clapton interview clip from the 8/14 opener (quote carried verbatim in the release)

  • source: PRTIMES #1673957
  • source_url: https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-25 01:28:32 JST (converted from DB 2026-07-24 16:28:32 UTC); screenings from 2026-08-14 (scheduled per release)
  • caveat: Self-reported in the issuer's release (official_statement on this card = the issuing entity's own statement, not a government authority); screenings had not yet begun as of this card's publication date (see §Scope)

F-002: Film 1 (per release): 「ライヴ・アット・マディソン・スクエア・ガーデン2008」 (original title LIVE FROM MADISON SQUARE GARDEN; directed by マーティン・アトキンス), 2009, UK, 140 min, opening 2026-08-14 (Fri) at TOHOシネマズシャンテほか; records the 2008-02-25 to 28 Clapton x Steve Winwood shows at Madison Square Garden, NY; cast = Clapton, Winwood, Willie Weeks (B), Ian Thomas (Ds), Chris Stainton (Kbds); full 20-track list carried in the release; the release also carries Blind Faith's history — formed 1969, disbanded after 1 album 『スーパー・ジャイアンツ』 (original title: Blind Faith) (release wording)

  • source: PRTIMES #1673957
  • source_url: https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-25; recorded shows 2008-02-25 to 28 (per release)
  • caveat: Self-reported in the announcement; historical descriptions (formed 1969, etc.) are as stated in the release and not separately verified by this site (see §Scope)

F-003: Film 2 (per release): 「セッションズ・フォー・ロバート・ジョンソン2004」 (original title SESSIONS FOR ROBERT J; directed by スティーブン・ノムラ・シブル), 2004, UK, 97 min, opening 2026-08-21 (Fri); covers album "Me and Mr. Johnson" released March 2004 (per release); 4 sessions = 2004-03-14 Hook End Manor, Oxfordshire / 2004-06-02 Irving, Texas / 2004-06-03 508 Park Avenue, Dallas / 2004-08-14 Hotel Casa del Mar, Santa Monica — 16 tracks in total per release; cast = Doyle Bramhall II, Nathan East, Steve Gadd, Billy Preston, Chris Stainton

  • source: PRTIMES #1673957
  • source_url: https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-25; sessions recorded in 2004 (each date per release)
  • caveat: Self-reported in the announcement (see §Scope)

F-004: Film 3 (per release): 「ライヴ・アット・ステイプルズ・センター2001」 (original title LIVE AT THE STAPLES CENTER; directed by ダニー・オブライエン), 2002, UK, 130 min, opening 2026-08-28 (Fri); per release, after the March 2001 album "Reptile" (レプタイル), Clapton toured the world — 104 shows in 80 cities across 24 countries, from 2001-02-03 at the Royal Albert Hall, London, to 2001-12-15 at Yokohama Arena; this film records the 2001-08-18 concert at the Staples Center, Los Angeles, full 20-track list per release

  • source: PRTIMES #1673957
  • source_url: https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-25; recorded concert 2001-08-18, tour 2001-02-03 to 12-15 (per release)
  • caveat: Self-reported in the announcement; "104 shows in 80 cities across 24 countries" is as stated in the release and unverified by this site; the same description also appears in the same company's 2026-06-12 release PRTIMES#938483 = same-source consistency, not independent corroboration (see §Scope)

F-005: Event-chain stage 1 (per release): the same company's 2026-06-12 release (poster unveiling) is the first-report-level announcement of the 3 films' 3-consecutive-week theatrical run, carrying each film's details (140 min / 97 min / 130 min, directors, opening dates, TOHOシネマズシャンテほか) and the poster unveiling

  • source: PRTIMES #938483
  • source_url: https://prtimes.jp/main/html/rd/p/000000007.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-06-12 14:15:29 JST (converted from DB 2026-06-12 05:15:29 UTC)
  • caveat: Same issuing entity as the main anchor = same source (see §Scope)

F-006: Event-chain stage 2 (per release): the same company's 2026-07-10 release = Japanese trailer unveiling + advance-ticket (ムビチケ) sales start; trailer content (per release) = Winwood calls Clapton someone who "was like an older brother," Clapton recalls first hearing Robert Johnson at age 15, and a "Tears in Heaven" singing scene; the release also states the guitar on the poster = the Fender Stratocaster "Blackie" (ブラッキー), assembled by Clapton himself in the 1970s from several Stratocasters (release wording)

  • source: PRTIMES #1405002
  • source_url: https://prtimes.jp/main/html/rd/p/000000014.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-10 17:47:05 JST (converted from DB 2026-07-10 08:47:05 UTC)
  • caveat: Same issuing entity as the main anchor = same source; the Blackie history is release wording (see §Scope)

F-007: Advance tickets and setup (per the main release): a 3-film common ticket plus per-film tickets on sale at moviewalker (URLs carried in the release); official site https://screenthelive.com/ericclapton2026 ; distribution & publicity = IAC MUSIC JAPAN / SANTA BARBARA PICTURES

  • source: PRTIMES #1673957
  • source_url: https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-25 (advance-ticket sales start already carried in the 2026-07-10 release, per release)
  • caveat: Self-reported in the announcement; this card is not a ticket-buying guide (see §Scope)

F-008: The same company's adjacent title (per release): the music documentary 『イミディエイト ファミリー』 opened 2026-06-19 (Fri) at the theaters listed in the release (ＴＯＨＯシネマズシャンテ, kino cinéma新宿, YEBISU GARDEN CINEMA and others); 98 songs used in the film (duplicates included, per release); director Denny Tedesco's previous film "The Wrecking Crew" (レッキング・クルー; an '08 production, Japan release 2016) used over 130 songs, with licensing taking 18 years (release wording); the release title itself claims "a music documentary with an astonishing 100% on Rotten Tomatoes" (self-claimed in the title)

  • source: PRTIMES #1097746
  • source_url: https://prtimes.jp/main/html/rd/p/000000010.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-06-19 03:20:57 JST (converted from DB 2026-06-18 18:20:57 UTC); opening 2026-06-19
  • caveat: Same issuing entity as the main anchor = same source; "100% on Rotten Tomatoes" unchecked by this site with Rotten Tomatoes (see §Scope)

F-009: The same film's Japan connections (examples per release): Leland Sklar played on Yumi Matsutoya (荒井由実)'s "14番目の月" (76) and later "春よ、来い" (94), among others; Waddy Wachtel took part in Goro Noguchi (野口五郎)'s late-1970s LA-recorded albums and Japan tours; at "The Immediate Family"'s 2018 Japan visit, Mayumi Itsuwa (五輪真弓), Chu Kosaka (小坂忠), Tamio Okuda (奥田民生) and others joined as guests; the release also mentions the context of city pop's global reappraisal (release wording)

  • source: PRTIMES #1057848
  • source_url: https://prtimes.jp/main/html/rd/p/000000009.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-06-18 02:09:09 JST (converted from DB 2026-06-17 17:09:09 UTC); the years of each participation fact are per release (1976 / 1994 / late 1970s / 2018, etc.)
  • caveat: Same issuing entity as the main anchor = same source; the individual historical participation facts are as stated in the release and not verified one by one by this site (see §Scope)

F-010: The same film's post-opening follow-through (per release): on 2026-07-13 (Mon) at イオンシネマ茅ヶ崎, a stage talk by George Cockle (ジョージ・カックル, radio DJ) and Junichi Miyaji (宮治淳一, music critic); also held on June 26 (Fri); Cockle's remark (quoted verbatim in Japanese in the release; translated) = "Their sound is so woven into daily life that I would think about 40% of the songs I play on my radio show are performed by these people"

  • source: PRTIMES #1542773
  • source_url: https://prtimes.jp/main/html/rd/p/000000017.000131284.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-17 01:48:16 JST (converted from DB 2026-07-16 16:48:16 UTC); events 2026-07-13 and 2026-06-26 (per release)
  • caveat: Same issuing entity as the main anchor = same source; "about 40%" is the speaker's personal characterization, not a statistic (see §Scope)

F-011: Separate issuer (Universal Music LLC release, 2026-07-09, per release): the Mrs. GREEN APPLE live film 『MGA MAGICAL 10 YEARS ANNIVERSARY LIVE ～FJORD～ ON SCREEN』 and documentary film 『～THE ORIGIN～』 opened simultaneously on "11/28 (Fri) last year" (= 2025-11-28, converted); "the 2 titles combined surpassed 850,000 total attendance and 2 billion yen cumulative box office" (main text, per release); video editions on sale simultaneously 2026-07-08 (Wed); the 10th-anniversary live (2025-07-26 and 27 at Yamashita Pier (山下ふ頭)) drew about 100,000 over 2 days, with day 2 on WOWOW live broadcast + a total of 15 streaming platforms + live viewing at 325 movie theaters nationwide + karaoke viewing, about 350,000 or more total viewers across the 2 days (per release); the same release's bio section separately carries "surpassed about 620,000 total attendance and about 1.5 billion yen cumulative box office (per 興行通信社 / Kogyo Tsushinsha)" = 2 sets of figures coexisting in one release, as-of points not stated

  • source: PRTIMES #1361820
  • source_url: https://prtimes.jp/main/html/rd/p/000002155.000000664.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-09 01:00:02 JST (converted from DB 2026-07-08 16:00:02 UTC); "850,000 / 2 billion yen" is the cumulative figure carried as of that release; openings 2025-11-28, live shows 2025-07-26 and 27
  • caveat: Self-reported by the issuer, not an independent citation of third-party box-office statistics; 850,000 / 2 billion yen and about 620,000 / about 1.5 billion yen (per Kogyo Tsushinsha) coexist within the same release; this card transcribes both side by side and chooses neither (see §Scope)

F-012: Separate issuer (カルチャヴィル合同会社 release, 2026-07-16, per release): 『KATSEYE: WILD HEARTS』 worldwide same-day event screenings — most Japanese theaters 2 days only, 2026-08-12 (Wed) and 08-15 (Sat); only 2 Tokyo theaters (ＴＯＨＯシネマズ日比谷 and ヒューマントラストシネマ渋谷) run the 5 days 8/12-8/16; distributed by Trafalgar Releasing; produced by Interscope Films x Boardwalk Pictures, HYBE x GEFFEN partnership; EP 『WILD』 released 2026-08-14 (Fri); previous EP 『BEAUTIFUL CHAOS』 (2025) debuted in the Billboard 200 top 5 (per release); the arena tour "THE WILDWORLD TOUR" opening 2026-09-01 is sold out for all shows (per release)

  • source: PRTIMES #1519368
  • source_url: https://prtimes.jp/main/html/rd/p/000000341.000101737.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-07-16 07:00:02 JST (converted from DB 2026-07-15 22:00:02 UTC); screenings 2026-08-12 and 08-15 (the 2 Tokyo theaters through 08-16), EP release 2026-08-14, tour opens 2026-09-01 (all scheduled per release)
  • caveat: Self-reported by the issuer; Billboard, sold-out status, etc. not checked by this site with third parties (see §Scope)

F-013: A same-period data point on nostalgia consumption (アズベリーパーク release, 2026-05-11, per release): the Shibuya rock bar "アズベリーパーク" (self-described: '60s-'90s Western rock & soul, "for grown-ups"), marking 2026-06-29 (Mon) as the 60th anniversary of the Beatles' arrival in Japan (arrival = 1966-06-29, per release), designates every Monday in June 2026 as "Beatles Monday," playing the Beatles' 13 official LPs plus Past Masters on vinyl

  • source: PRTIMES #348801
  • source_url: https://prtimes.jp/main/html/rd/p/000000002.000178029.html
  • confidence: medium
  • basis: official_statement
  • period: Announcement published 2026-05-11 19:00:02 JST (converted from DB 2026-05-11 10:00:02 UTC); program 2026-06-01 to 06-29 (per release)
  • caveat: Self-reported by the issuer; weak link — cited only as a same-period data point on Western-music nostalgia consumption, with no release-stated connection to the main anchor (see §Scope)

J-Units

J-001: Zero-verified-official-anchor scope: all 9 sources of this card are PR TIMES releases, of which 6 releases (PRTIMES#1673957 / #938483 / #1405002 / #1097746 / #1057848 / #1542773) come from マリブ株式会社, the same issuing entity = same-source, non-independent corroboration; #1361820 (Universal Music), #1519368 (カルチャヴィル) and #348801 (アズベリーパーク) are each independent issuers, though their figures are likewise self-reported; every figure is uniformly "as stated in the respective release," unverified by this site — any citation of this card's content must carry this scope note and must not be treated as official endorsement; this card transcribes neutrally, does not promote, and does not endorse

  • confidence: high
  • basis: official_statement

J-002: Layer markers and boundaries: PRTIMES#938483 / #1405002 = same event chain (stages 1 and 2 of the same company's three-stage releases, same source); #1097746 / #1057848 / #1542773 = the same company's adjacent title 『イミディエイト ファミリー』 (CONTEXTUALIZE, same source); #1361820 / #1519368 = same-season market context from separate issuers (CONTEXTUALIZE, independent releases but self-reported figures); #348801 = weak-link nostalgia-consumption data point (CONTEXTUALIZE); cross-source figures always stay in their own sentences with their own attributions — no merging, no totals, no rankings

  • confidence: high
  • basis: official_statement

J-003: Evidentiary boundary of the deep-dive analysis: this card's "supply-side dynamics" analysis (the three-stage release rhythm, consecutive programming at the same theater, and the juxtaposition of three independent same-season suppliers) stays within the juxtaposition of facts visible in the text of the 9 cited releases; it is not a market-wide census, makes no causal inference, and does not extrapolate to Japan's overall box-office market or moviegoing demand; the scope of the judgment "a continuous operation, not a one-off attempt" is limited to the same company's 6 releases cited on this card and does not extend to releases not seen; on the demand side, this card has no independent data beyond each issuer's self-reported figures and offers no assessment

  • confidence: high
  • basis: official_statement

P-Units

P-001: The actual screenings on 2026-08-14, 08-21 and 08-28 and subsequent attendance, plus actual advance-ticket sales — unchecked by this site, verifiable after opening (open)

P-002: The follow-through of 『KATSEYE: WILD HEARTS』's 2026-08-12 and 08-15 screenings and the EP 『WILD』 release on 2026-08-14, and the status of the MGA video editions after their 2026-07-08 release — to be tracked as of each issuer's subsequent self-reported updates (open)

同事件・三視角 / Three Perspectives on the Same Event / 同一イベント・三つの視点

Internal citation chain

This card cites 2 published cards on this site (both CONTEXTUALIZE; honest contrast, no causal inference):

  • ANK-2026-07-06-012 "The era of 'movies on the side': Chinese authorities issue a 2026-07-03 notice encouraging cinemas to diversify operations; nationwide H1 2026 box office RMB 17.3 billion, down 40% from H1 2025 (Maoyan Pro data, relayed by CNA)" (published) → relation (CONTEXTUALIZE): that card records Chinese cinemas being officially encouraged, amid shrinking box office, to bring in non-film content and new business formats; this card records the Japanese side, where in the same summer three independent suppliers (マリブ / Universal Music / カルチャヴィル, each self-reporting in its own releases) scheduled music live and music documentary footage into theaters — "theaters x non-feature-film content" has an independent record in each of the two markets; juxtaposed contrast only, not the same event, no causal inference. Links: zh / ja / en
  • ANK-2026-07-18-001 "'Roppongi Idol Festival 2026': 2 stages live-broadcast both days, 2026-07-25 and 26, on ABEMA PPV, tickets from 3,300 yen (self-reported in the issuer's release)" (published) → relation (CONTEXTUALIZE): that card records live content flowing from the venue to the PPV streaming window (AbemaTV and others, per releases); this card records music live footage flowing from the venue/catalog to the theatrical window (per the respective releases) — an overlap in the theme of "live content moving across windows"; juxtaposed contrast only, not the same event, no causal inference. Links: zh / ja / en

Sources

  1. [PRTIMES #1673957] (main anchor) PR TIMES (マリブ株式会社 release, issuer's primary material), translated title: "[Interview clip unveiled] 'Clapton Festival' — 3 live & documentary films in consecutive theatrical release! First film 「ライヴ・アット・マディソン・スクエア・ガーデン2008」 opens 8/14 (Fri), 3 weeks to go" (Japanese original title: 「【インタビュー映像解禁】『クラプトン・フェスティヴァル』ライヴ&ドキュメンタリー映像3本を連続で劇場公開！第一弾「ライヴ・アット・マディソン・スクエア・ガーデン2008」8/14（金）公開まであと３週」), published 2026-07-25 01:28:32 JST. https://prtimes.jp/main/html/rd/p/000000018.000131284.html
  2. [PRTIMES #938483] PR TIMES (マリブ株式会社 release, stage 1 of the same event chain), translated title: "'Clapton Festival' to bring 3 Eric Clapton live & documentary films to theaters for 3 consecutive weeks in August! Poster unveiled!" (Japanese original title: 「エリック・クラプトンのライヴ&ドキュメンタリー映像3本を8月に3週連続で劇場公開する『クラプトン・フェスティヴァル』開催！ポスター解禁！」), published 2026-06-12 14:15:29 JST. https://prtimes.jp/main/html/rd/p/000000007.000131284.html
  3. [PRTIMES #1405002] PR TIMES (マリブ株式会社 release, stage 2 of the same event chain), translated title: "[Trailer unveiled] 'Clapton Festival' — 3 live & documentary films in theaters for 3 consecutive weeks in August! Advance tickets on sale" (Japanese original title: 「【予告解禁】『クラプトン・フェスティヴァル』エリック・クラプトンのライヴ&ドキュメンタリー映像3本を8月に3週連続で劇場公開！暑い夏、クラプトンはもっとアツい！ムビチケ発売開始」), published 2026-07-10 17:47:05 JST. https://prtimes.jp/main/html/rd/p/000000014.000131284.html
  4. [PRTIMES #1097746] PR TIMES (マリブ株式会社 release, the same company's adjacent title), translated title: "Jackson Browne special footage arrives! 『イミディエイト ファミリー』 opens 6/19 (Fri)! An astonishing 98 songs — the in-film song list is out!" (Japanese original title: 「ジャクソン・ブラウンの特別映像到着！映画『イミディエイト ファミリー』6/19（金）公開！驚異の98曲、劇中使用楽曲リストも公開！ロッテントマト驚異の100％の音楽ドキュメンタリー」), published 2026-06-19 03:20:57 JST. https://prtimes.jp/main/html/rd/p/000000010.000131284.html
  5. [PRTIMES #1057848] PR TIMES (マリブ株式会社 release, the same company's adjacent title), translated title: "Music documentary 『イミディエイト ファミリー』 opens 6/19 (Fri)! The 'Family' behind Yumi Matsutoya, Goro Noguchi and other leading Japanese artists" (Japanese original title: 「音楽ドキュメンタリー映画『イミディエイト ファミリー』6/19（金）公開！松任谷由実、野口五郎、五輪真弓、イルカ、吉田拓郎、浜田省吾、奥田民生他 日本の大物アーティストたちの陰にいた“ファミリー”たち」), published 2026-06-18 02:09:09 JST. https://prtimes.jp/main/html/rd/p/000000009.000131284.html
  6. [PRTIMES #1542773] PR TIMES (マリブ株式会社 release, report on the same company's adjacent title), translated title: "『イミディエイト ファミリー』 7/13 (Mon) talk-event report! George Cockle x Junichi Miyaji on stage!" (Japanese original title: 「映画『イミディエイト ファミリー』７/１３（月）トークイベントリポート！ジョージ・カックル氏×宮治 淳一氏登壇！『イミディエイト ファミリー』は日本で生まれた！」), published 2026-07-17 01:48:16 JST. https://prtimes.jp/main/html/rd/p/000000017.000131284.html
  7. [PRTIMES #1361820] PR TIMES (Universal Music LLC (ユニバーサル ミュージック合同会社) release, separate issuer), translated title: "Mrs. GREEN APPLE's live film & documentary — past 850,000 total attendance and 2 billion yen cumulative box office (per release) — 2 titles on sale simultaneously July 8 (Wed)!" (Japanese original title: 「Mrs. GREEN APPLE、総動員数85万人・累計興行収入20億円を突破したライブフィルム&ドキュメンタリー映画　7月8日（水）2タイトル同時発売！」), published 2026-07-09 01:00:02 JST. https://prtimes.jp/main/html/rd/p/000002155.000000664.html
  8. [PRTIMES #1519368] PR TIMES (カルチャヴィル合同会社 release, separate issuer), translated title: "Global girl group KATSEYE's film 『KATSEYE: WILD HEARTS』 confirmed for limited theatrical screenings in Japan on the worldwide same days, 8/12 (Wed) & 8/15 (Sat)!" (Japanese original title: 「グローバル・ガール・グループKATSEYE 映画作品『KATSEYE: WILD HEARTS』世界同日8/12(水) &8/15(土) に日本でも限定劇場公開が決定！日本劇場予告編も解禁に。」), published 2026-07-16 07:00:02 JST. https://prtimes.jp/main/html/rd/p/000000341.000101737.html
  9. [PRTIMES #348801] PR TIMES (アズベリーパーク release, separate issuer, weak link), translated title: "Marking the 60th anniversary of the Beatles' arrival in Japan, Mondays in June are 'Beatles Monday'" (Japanese original title: 「ビートルズ来日60周年を記念して6月の月曜日は「Beatles Monday」。6/1（月）～6/29（月）、ビートルズの全13+1枚のレコードをかけ倒し」 — every Monday of the month, per the title), published 2026-05-11 19:00:02 JST. https://prtimes.jp/main/html/rd/p/000000002.000178029.html
Anti-fabrication statement: this card carries zero verified official anchors (official_count_verified=0); all 9 sources are PR TIMES releases, every figure is self-reported by the respective issuing entity, and this site has not independently verified any of them; apart from UTC→JST date/time conversions and the "last year"→absolute-year conversion (all flagged), no figure absent from the source texts was generated, no ratio or total was computed, and no cross-source sentences were merged into fabricated comparisons. No Wikidata Q attached (no registry verification performed).

Cite this article

白河 雅・《'Clapton Festival': 3 Eric Clapton Live & Documentary Films in Theaters for 3 Consecutive Weeks from 2026-08-14, First Interview Clip Unveiled (Self-Reported in マリブ株式会社 Releases)》・IDAEO 知識庫・2026-07-28・https://km.idaeo.ai/insight/ank-2026-07-26-001

Updated 2026-08-11

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更新 2026-08-11T10:58:22.505Z · server-rendered · four-language · IDAEO 知識庫